The last few years a business trip hasn't been complete without time away for something design related. Last week's behind-the-scenes visits in Atlanta are all thanks to Richard Taylor of Flat Earth Designs (you may remember him from the post It's not leather, It's concrete!) who was very generous with his time and gave me a tour of some great design sources, including his own warehouse. First up is furniture designer Dave Lennard, whose warehouse is located right next to Richard's. Dave handcrafts large scale zinc-topped tables that are beautiful in both finish and proportion. Many of his designs have that sought after Belgian aesthetic. I also happen to be swooning over those chairs too!
This table with the rivets has more of an industrial edge to it.
Particularly love the patina of the zinc on this table. In addition to furniture, Dave carries industrial antiques and unique accessories. Good news is that his work is available to both the public and the trade. More info here.
A number of artists share the space with Dave and I couldn't help but notice this secretary desk in-progress.
Next up was a visit to the shared warehouse of four talented and friendly women - Margaret Bostick of The Silk Purse, Inc., Lisa Burnett of Inner Pieces, and Glenis Rose and Marlene Buckalew of Birts & Grits. Their gorgeous finds from trips to France and Belgium are available to-the-trade and to the public via Scott Antique Markets (North Bldg., A-6, #162-165). They had just come back from a successful weekend at Scott's and their warehouse was still full of unique things - I can only imagine the before-Scott's version.
Beautiful urn. Why can't carry-on suitcases be larger?!
Gorgeous marble topped tables that would look smart with many different decors.
Thought this was quite creative - boxwood balls resting on iron scrolls.
I love these two metal containers to the left.
Just before leaving I noticed these three oil paintings and fell in love with the two on the ends. Margaret had mentioned she found these in Ghent, Belgium; part of an original set of 11 by an amateur painter. I love the quality of the light and have found the perfect place for them in my house.
A bit more - here's a look at Richard's work in the raw, pre-staining stage. His pieces are made with the more expensive and higher quality white concrete (as opposed to gray). Below is a finished Watts Pot - amazing difference; although the unfinished white pieces have their own appeal too.
I meant to take more pictures of his warehouse as I found the whole place fascinating & so much larger than I imagined it. There's different sections devoted to creating rubber molds, casting pieces, and experimenting with new designs. Plus, on one wall of large scale shelves there's a huge collection of design magazines - any blogger's dream!Sources:
Dave Lennard 941. 232. 2925, Margaret Bostick, The Silk Purse, Inc. 404. 431. 5422, Lisa Burnett, 404. 808. 7135, Brits & Grits, Glenis Rose 678. 656. 5973 and Marlene Buckalew 770. 815. 2696., Richard Taylor of Flat Earth Designs (to-the-trade and at Round Top)
